In the era of this technological explosion, how to embody culture? Something just written on Twitter became old news on Pinterest and finally disappeared on Facebook. The development of digital technology has grown exponentially, and today's innovations become redundant tomorrow. This is exactly what Ronald Labaco is facing. He is a senior curator at the New York Museum of Art and Design (MAD). At the end of 2013, he launched "Out of Hand: Materializing the Postdigital." exhibition. “This exhibition has been planned for two years,†Labaco explained. “When the results arrived at the exhibition, some 3D printing technologies were outdated.†In the exhibition at the Museum of Applied Arts and Sciences in Sydney on Saturday, the head of the exhibition also faced the same problem. “No doubt!†said Matthew Connell, a curator in the field of computing and mathematics, and a planner for the Out of Hand exhibition from now until next June. Artist Aki Inomata 3D printed Japanese marriage church on a hermit crab shell “We have a concern in the negotiation process of the exhibition, which is how quickly it can be put into the exhibition before the material is out of date. One of the main problems is that you may decide to apply a certain technology and then pay a lot for it. Money, but when you show it, it turns out that it has become free to use in the next version of Windows." The main purpose of Out of Hand is to explore new technologies, including 3D printing, digital weaving and CNC milling, and they also explore the ways in which designers, architects and artists use these technologies. To ensure the resonance of the exhibition, or as Connell said, “It will last a little longer than the recent craze of Pokemon,†he has divided the Out of Hand into seven parts, respectively, through the history of the Applied Arts and Sciences Museum. Collections are fixed. The idea is that by revealing the previous things, new things will be engraved in the continuity of history. New York artist Barry X Ball's 3D printed statue Envy For example, the Analog to Postdigital section begins with the curly clay vase of the Australian potter, Annie Fraser Mitchell, from 1930 to 1935. The key is that this technology has been used to create shapes for thousands of years, and today's processes require only computer-driven, such as fused deposition, free-form or extrusion printing, which are essentially the same technology. The rest of the exhibition area is a modern work made with similar technology. Dolla Merrillees, curator of the Museum of Applied Arts and Sciences in Sydney, saw Out of Hand at MAD in New York, which he thinks is suitable for their museums to explore the impact of technology in many industries, especially 3D printing. It emerged around the mid-1980s, and many large companies used this method to produce experimental prototypes, such as Boeing, Rolls Royce, and NASA, which were refined to produce metal parts. The popularity of 3D printing technology that emerged a few years ago was due to the expiration of the original patent. With the sharp decline in the price of 3D printers , fanaticism has risen exponentially. People began to predict that each family will be equipped with a 3D printer in the future. Although we have not yet reached this point, the technology has fascinated many artists, designers and architects because of the possibility of subverting traditional aesthetics and manufacturing models. New York artist Barry X Ball scanned the existing masterpieces and reconfigured them to create what Connell called "improvements to the prototype." This striking bust is called "Envy" and is modeled after a Renaissance sculptor Giusto Le Court. Ball "removes a portrait of a Christian," Connell said. "He learned from it and created a bust with a 2D sash." Then he milled the entire statue with a golden honeycomb calcite CNC and installed it in Macedonia. On the marble pedestal. This technology makes a new iteration, an "improvement" of a historical work possible. Artist Richard Dupont scanned his entire body at the Wright-Patterson Air Force Base in Dayton, Ohio. Then he manipulated and modified a series of sculptures to make them appear deformed. Some places were wider and some were narrower, and then printed in 3D. This way the statues look further distorted as the audience moves around. The artist said that the effect is "ordinary but abstract." One of the series of 3D printed sculptures by artist Richard Dupont Los Angeles-based fashion designer Michael Schmidt designed a black mesh dress for burlesque artist Dita Von Teese by overlaying the costume design on her beautiful body on a computer screen. The garment consists of 17 faces, which took three months to design, code and print, and then spend a month assembling, painting and decorating Swarovski crystals. A competent seamstress may be able to make it within a month, but this is the tempting power of new technology. Massage And SPA Essential Oil Set Ylang Oil,Geranium Oil,Peppermint Oil,Thyme Oil Ji'An ZhongXiang Natural Plants Co.,Ltd. , https://www.zxnaturaloils.com
